Readers who enjoy feminist twists on classic tales, LGBTQ+ representation, and strong heroines will love Cinderella is Dead by Kalynn Bayron. Fans of The Lunar Chronicles by Marissa Meyer and A Court of Thorns and Roses by Sarah J. Maas will find this book compelling and imaginative.

Cinderella is Dead by Kalynn Bayron has been praised for its fresh, LGBTQ+ inclusive take on a classic fairy tale. Reviewers appreciate the strong feminist message and the diverse representation. However, some critics feel that the pacing is uneven and that character development at times lacks depth. Overall, it is considered a bold and inventive reimagining.

In Kalynn Bayron's Cinderella Is Dead, sixteen-year-old Sophia Grimmins, who is a lesbian, lives in the kingdom of Mersailles where young women must attend an annual ball to be chosen by suitors or face severe consequences. Sophia escapes the ball, meeting Constance, the last descendant of Cinderella. Together, they uncover the truth behind the original fairy tale and work to overthrow the oppressive monarchy. This novel includes anti-gay bias, misogyny, and physical abuse.

Mysterious / Dark / Romantic / Adventurous / Inspirational

Kalynn Bayron

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Chapters 1-7

Cinderella is Dead Chapters 1-7 Summary & Analysis

Chapters 8-15

Cinderella is Dead Chapters 8-15 Summary & Analysis

Chapters 16-22

Cinderella is Dead Chapters 16-22 Summary & Analysis

Chapters 23-30

Cinderella is Dead Chapters 23-30 Summary & Analysis

Chapters 31-38

Cinderella is Dead Chapters 31-38 Summary & Analysis

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Cinderella is Dead Character Analysis

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Cinderella is Dead

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