76 pages 2 hours read

Nick Hornby

About a Boy

Fiction | Novel | Adult | Published in 1998

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Chapters 15-25Chapter Summaries & Analyses

Chapter 15 Summary

Marcus does not tell his mother or Suzie that Will is lying about having a child because he knows the information could be useful later on. He keeps returning to Will’s flat, even though Will seems reluctant to host him. When they get onto the subject of school, Marcus confesses that he is being bullied, and Will suggests he “could do something” about his appearance, like getting his hair professionally cut (99). Will asks about how Marcus feels about Fiona’s situation, but Marcus cannot yet tell Will the truth: that he lives in fear of a second suicide attempt and that he comes to Will’s flat to delay going home. 

Chapter 16 Summary

Although Will “had spent his whole life avoiding real stuff,” he manages to accommodate Marcus’s visits into his daily routine and prides himself on giving the boy a break from his troubled life (104). One day, Marcus is followed to Will’s house by a group of older children who throw candy at him. While a horrified Will chases the bullies off, Marcus is eerily stoic. Will demands to know the history of the bullying. When Marcus admits that it makes him unhappy, Will takes him out to buy cool sneakers to replace his regulation black slip-on shoes. The next day, Marcus shows up at Will’s in tears because the bullies stolen his new shoes. 

Chapter 17 Summary

When Marcus goes home without shoes, Fiona demands to know what happened, and he is forced to confess that Will bought him the now-stolen sneakers. This, in turn, means he must come clean about going to Will’s every day after school, and he also reveals that Will is childless. Fiona is furious, and the two march over to Will’s.

Fiona lectures Will about lying and demands to know why he has been spending time alone with her son, insinuating that Will is a pedophile. Will makes it clear that Marcus has been turning up uninvited, then accuses Fiona of being oblivious to the fact that Marcus is “being eaten alive at school” (115). Marcus does not enjoy the argument, but he is grateful to Will for telling Fiona the truth of his situation at school.

Fiona prohibits Marcus from going to Will’s again. Marcus accuses her of pretending that she wants him to think for himself when, in reality, she forces him to think like her. He says he needs to return to Will’s house because he needs a father figure, which makes her cry. 

Chapter 18 Summary

As late November creeps in, Will hears “Santa’s Super Sleigh” and remembers that his father was as depressive and eccentric as Fiona. There are parallels between the two parents because while Fiona tried to obliterate reality with prescription drugs, Will’s father chose the finest whiskey. While Will is the ideal candidate to mentor Marcus, he believes it is “too much work” and thinks he will have no more to do with the boy or Fiona (126).

However, Fiona calls and insists that she and Will go out for a drink. At the pub, Fiona confesses how upset she became when Marcus told her that he needed a father figure. Will tells her Marcus said that to manipulate her. However, neither of them understands why Marcus wants to see Will so much or that he would target Fiona’s “most vulnerable spot” (131). Will states that he will adopt a hands-off approach to Marcus, which infuriates Fiona. When Will says he is selfish because “there isn’t anybody else” in his life, Fiona insists that Marcus is now and will not be easily shut out of it.

Chapter 19 Summary

When Fiona comes home from the pub, she tells Marcus that Will will not answer the doorbell if he rings it. Marcus is unfazed, knowing that he will ring until Will opens the door. Fiona makes a complaint to the school about Marcus’s stolen sneakers and forces him to go to the headmistress’s office. Ellie McRae, a rebellious girl in Year 10 who is “famous” for getting into trouble (135), is also waiting outside the office. Ellie teases Marcus for not recognizing the face on her sweatshirt—that of Kurt Cobain, the lead singer American grunge band Nirvana. In Mrs. Morrison’s office, Marcus loses his temper when she offers him the useless advice of keeping out of the bullies’ way. He storms out of school. 

Chapter 20 Summary

While Will is driving up Upper Street, listening to Nirvana at top volume, he spots Marcus. Since it is two o’clock, he realizes Marcus left school without permission but decides he does not care enough to apprehend the boy. When Marcus shows up to Will’s flat at his regular time of 4:15, Will knows he waited to conceal his truancy. Will does not answer the door, even though Marcus rings the bell for half an hour. Will finally lets Marcus in and confronts him about his truancy. While telling Marcus that the figure on Ellie’s sweatshirt was Kurt Cobain, he realizes that “Marcus needed help to be a kid, not an adult” (147). This is the exact type of assistance that Will is best qualified to give. 

Chapter 21 Summary

Marcus is accepted by Ellie and her friend group, who think he is funny, especially when he explains his thoughts on Nirvana: “it’s a bit of a racket, but it’s got a good beat, and the picture on the cover is very interesting” (149). Marcus decides that his sense of humor will help him secure Ellie’s friendship. Ellie agrees to “adopt” him, and he begins to earn a measure of respect at school (155).

Chapter 22 Summary

Will reluctantly agrees to spend Christmas with Fiona and Marcus. To his relief, it is not just the three of them because Fiona’s ex-husband Clive, his girlfriend Lindsey, and Lindsey’s mother join. He notices that Marcus is “a good kid,” given his gratitude when he receives “crap presents” from his relatives (162).

Chapter 23 Summary

After presents and lunch, the group is joined by Suzie and Megan. Marcus is fascinated by Suzie snubbing Will and then confronting him about his invention of a son “so he can join single parent groups and chat up single mothers” (169). When Will expresses his wish to leave, Marcus insists that he stay. Will diffuses the tension by telling the story of how Marcus killed a duck by throwing a baguette at it. 

Chapter 24 Summary

At a New Year’s Eve party, Will falls under the spell of a gorgeous, interesting children’s book illustrator named Rachel. Will regrets that there is nothing about his own life that will interest her. While Rachel is drawn into another conversation, Will realizes Marcus is the most interesting thing in his life and vows to bring him up at the earliest opportunity. He finds the chance when the conversation turns to Nirvana. He allows Rachel, who has a 12-year-old son, to believe Marcus is his son, and she suggests that they should introduce their sons to each other. 

Chapter 25 Summary

Marcus meets Ellie at Suzie’s New Year’s Eve party. Ellie knows about Fiona’s suicide attempt because her mother is friends with Suzie. Ellie, who also has divorced parents and lives with her mother, thinks it is Fiona’s right to decide whether she wants to kill herself and that mothers are judged more harshly than fathers. Marcus thinks life was “simpler” in Cambridge, his old town, where there were rules; in London, “things were bound to be more complicated” without rules (185).

Chapters 15-25 Analysis

The middle section of Hornby’s novel establishes Will’s presence in Marcus’s life and vice versa. Although Marcus is convinced that Will should be part of his life, Will’s commitment is superficial; he tries to extricate himself from the situation when it becomes too complicated. However, by the end of this section, he realizes that Marcus is the most interesting part of his life and accepts that they are now tightly connected.

In this section, Marcus gains confidence and develops a voice and opinion separate from Fiona’s. He realizes that all the attributes that make him different from the other kids—the dorky haircut, the mistrust of fashion, the vegetarianism—were her doing. He begins to question whether she wants him to make up his own mind about things, observing that “we have an argument and I lose, and I do what you want me to do” (121). Marcus feels that, for all her idealism, Fiona has given him no tools to connect with the kids at school, who are into different types of clothes and music.

In contrast, Will seems to “know things” about clothes and music (147), and he helps Marcus ground himself in the reality inhabited by people his age. By the standards of his 30-something peers, Will’s worldly know-how is superficial and somewhat immature, but it is vital to Marcus, who needs to fit in better with the kids at school and become independent. However, when Marcus strikes up a friendship with misunderstood bad-girl Ellie, he uses a mixture of his burgeoning pop-cultural knowledge and his natural quirkiness to impress her. Through Ellie, Marcus learns the value of both standing out and fitting in.

While Marcus learns to become more like a teenager from Will, Marcus’s presence forces Will to assume adult responsibilities. He realizes that his own experience of being parented by a preoccupied, self-obsessed alcoholic father is not dissimilar to Marcus’s situation with suicidal Fiona (126). The adult in him knows that “he would have to take Marcus under his wing, use his own experience of growing up with a batty parent to guide the boy through to a place of safety” (126). However, this is not an easy task for Will, who has lived his life avoiding problems and difficult feelings. Still, a sense of both his own life’s hollowness and a real affection for Marcus inspires him to take the only job he is qualified for: mentoring a child on how to be a child.

When Will meets Rachel and finds that gaining her approval truly matters to him, he considers that Marcus is the only element that gives his life the “context and texture” that would attract an interesting woman (171). Ironically, the clutter and complication that Will sought to avoid becomes his redeeming quality. However, in a final twist, Rachel mistakes Marcus for Will’s son, and Will does not set her right, thus continuing his habit of seduction via fabrication. By having Will lie to a woman he may truly care about, Hornby builds tension and raises the stakes of the story.